Bradibear (teddy bear), 2014, floor paint on board, 29 x 24.6 cm.

Bradibear

2014, Bradite DP5 (floor paint) on board, 29 x 24.6 cm

Green on Violet (pear), 2004-2014, mixed media on canvas, 140 x 120 cm.

Green on Violet

2004-2014, acrylic, oil, alkyd and glass beads on canvas, 140 x 120 cm

Untitled Vase, 1994, acrylic and charcoal on paper, 84 x 59.4 cm.

Untitled Vase

1994, acrylic and charcoal on paper, 84 x 59.4 cm

Blue Ball (tea pot), 1998, acrylic on canvas, 56 x 42 cm.

Blue Ball

1998, acrylic on canvas, 56 x 42 cm

Undone (broken table), 2014, floor paint on canvas, 101 x 76 cm.

Undone (broken table)

2014, Bradite DP5 (floor paint) on canvas, 101 x 76 cm

Momento, 2007, acrylic on canvas, 25.6 x 31 cm.

Momento

2007, acrylic on canvas, 25.6 x 31 cm

Foreign Breeze, 2007, oil on canvas, 25.6 x 31 cm.

Foreign Breeze

2007, oil on canvas, 25.6 x 31 cm

Untitled Chairs, 1991, acrylic and oil on canvas, 140 x 120 cm.

Untitled Chairs

1991, acrylic and oil on canvas, 140 x 120 cm

Leather Look (office chair), 1998, oil, mixed media on canvas, 101 x 76 cm.

Leather Look

1998, oil, alkyd resin and acrylic on canvas, 101 x 76 cm

Landscape for the Common People, 1998, oil, mixed media on board, 120 x 150 cm.

Landscape For The Common People

1998, oil, acrylic and glass beads on board, approx. 120 x 150 cm

Daisy's Daughter, 2007, oil on canvas, 76 x 100 cm.

Daisy's Daughter

2007, oil on canvas, 76 x 100 cm

Chairness, 1994, acrylic and charcoal on canvas, 120 x 70 cm.

Chairness

1994, acrylic and charcoal on canvas, 120 x 70 cm

Square Bird, 1998, oil, acrylic and glass beads on board, 120 x 67 cm.

Square Bird

1998, oil, acrylic and glass beads on board, 120 x 67 cm

Cement Bag, 1994, acrylic, cement and leather handle on canvas, 80 x 51 cm.

Cement Bag

1994, acrylic, cement and leather handle on canvas, 80 x 51 cm

A Rose for G and G, 2006, oil and acrylic on canvas, 132 x 36.5 cm.

A Rose for G and G

2006, oil and acrylic on canvas, 132 x 36.5 cm

Roses, 2006, oil and acrylic on canvas, 2 panels of 132 x 36.5 cm

Roses, diptych

2006, oil and acrylic on canvas, 2 panels of 132 x 36.5 cm

British Delight, 1993, acrylic and sand on canvas, 140 x 120 cm.

British Delight

1993, acrylic and sand on canvas, 140 x 120 cm

Grey Bird 2, 2001, oil, acrylic, marker and polyester glitter on canvas, 51 x 41 cm.

Grey Bird 2 (Robin)

2001, oil, acrylic, marker and polyester glitter on canvas, 51 x 41 cm

Grey Bird 1, 2001, oil, acrylic, marker and polyester glitter on canvas, 51 x 41 cm.

Grey Bird 1

2001, oil, acrylic, marker and polyester glitter on canvas, 51 x 41 cm

Grey Birds, 2001, oil, acrylic, marker and polyester glitter on canvas, 51 x 41 cm.

Grey Birds 3

2001, oil, acrylic, marker and polyester glitter on canvas, 51 x 41 cm

The Tourist, 2006, oil, acrylic and glitter on canvas, 127 x 101.5 cm.

The Tourist

2006, oil, acrylic and synthetic crystals on canvas, 127 x 101.5 cm

Flat Pack, 2008, oil and glitter on canvas, 31 x 25.5 cm.

Flat Pack, Study

2008, oil and synthetic crystals on canvas, 31 x 25.5 cm

It is my mesitation that decides, 1998, oil and acrylic on canvas, 120 x 140 cm.

It Is My Hesitation That Decides

1998, oil and acrylic on canvas, 120 x 140 cm

The First Rose, 1997, oil, alkyd and acrylic on canvas, 132 x 36.5 cm.

The First Rose

1997, oil, alkyd resin and acrylic on canvas, 132 x 36.5 cm

If I Had A Bicycle, 1997, acrylic on canvas, 208 x 59 cm.

If I Had A Bicycle

1997, acrylic on canvas (two panels), 208 x 59 cm

Blue Study, 2008, oil and synthetic crystals on canvas, 25.5 x 31 cm.

Blue study

2008, oil and synthetic crystals on canvas, 25.5 x 31 cm

Glass Pot, 1998, oil and glass beads on canvas board, 20 x 25.5 cm.

Glass Pot

1998, oil and glass beads on canvas board, 20 x 25.5 cm

Paintings

Cotidiano

1993-2014, mixed media

Cotidiano is an ongoing series of paintings and studies focusing on fragments of the everyday.

Some of the works in this selection date back to the early days and sit side-by-side with their newer counterparts in a mélange of timeless moments.

The intention is to interfere with any linear reading of time and depict a gaze that has no befores nor afters.